Project Description
I was assigned Nanna Ditzel’s Ring Chair for my gallery, and through research, I discovered that her design philosophy was rooted in Danish simplicity, functionality, and humanism. She prioritized usability while incorporating organic colors and textures, which became the foundation of my gallery’s design.
The most significant element in my space is framed views. I used drop ceilings to emphasize two areas where the ceilings rise higher, naturally framing key focal points. The most striking feature is a mesh arch that spans the back corner of the gathering space, symbolizing the welcoming embrace of the Ring Chair’s curved back. This arch is designed to envelop visitors, mirroring the chair’s inviting form.
Natural light is another essential condition. An overhead opening directly illuminates the chair and pedestal, ensuring it remains the gallery’s focal point. Materiality and haptic senses also play a crucial role. Inspired by Ditzel’s preference for simplicity, I selected light wood to reflect the Ring Chair’s legs and organic design. The wire mesh archway contrasts this softness, adding texture while maintaining an airy openness.
By layering these architectural elements, materials, and lighting, the gallery creates an experience that embodies Ditzel’s design principles—welcoming, functional, and intentional.
Year
2022
Course
Introduction to Interior Design I
Type
Exhibition
Medium
Physical Model
Final Renderings
Floor Plan
Sections
